Peru – Lake Titicaca

Lake Titicaca is a UNESCO heritage site and is the highest navigable fresh water lake in the world at an elevation (12,507′). It is also the largest lake in South America, bordering Peru and Bolivia. There are an estimated 70 – 114 small floating islands, with the bulk scattered in the shallow depths of the lake near Puno, Peru. The drone images above are from Amantani Island, where we stayed with a local family.

Enroute from Chivay to Puno, the rain storm was off-and-on, which actually enabled us to create an abstract photo through the car windshield (upper-right). The valley that we drove along, is deeper than the Grand Canyon, yet is fully farmed, with steep terraces (middle and upper-right), similar to what we associate with rice terraces in SE Asia. Burt experimented with his first “high altitude” drone flying, and did succeed with creating a few unique images, like the two 360 degree panoramas shown at the top of this post.

There were many photo stops along the way to capture images of the various animals grazing along the roadside. At one stop, there was a herd of llamas and vicunas grazing within a few feet of the road, so we stopped. The animal herder was a young girl (center) who posed for us. One pair of llamas was busy demonstrating how the size of the herd grows… (upper-right).

A major destination for this portion of our travels were the floating islands on the lake, populated with the indigenous Uros people, who have lived on the artificial islands for close to 4000 years. These island homes were built when the Inca Empire conquered the Uros, and expelled them from the mainland. The Uros people refused to be subjected. The tribe discovered how to cut the totora reeds naturally growing along the sides of the lake, and to form them into habitable islands. There were originally 70 of these islands, though they have been expanded to approximately 114 since then.

Every 20 or 30 years, the islands deteriorate in the water and must be rebuilt. At that time, an entirely new island is built. Soccer goal posts are put on both ends, and the children are encouraged to play soccer on the island, as a way to beat down the totora reeds into a compact island.

When I asked why the Uros people came here, we were told by the island President (a revolving, unpaid position of the head matriarch of each family) that they were escaping the Incas. When I asked why they stay here now, I was told that they own no land on shore, and would only be a servant class there. Here, on the islands, they pay no taxes and can govern themselves. I asked how they handle criminals. I was told that crime is very rare, and if they do have someone whom is not suitable to live among them, that person is simply evicted from the island.

The Uros people travel back-and-forth from the mainland using boats decorated with condor heads (lower-left). There is also a full-sized condor representation on the dock (center-bottom). The adults realize that there is very little freedom for young people to get to know each other alone, so they have built special “love boats” (bottom-right), which young couples can take and be on the lake alone. The president telling this story giggled, and said “Of course I never used one of those…”

The President (center, plus upper-center and upper-right), showed us how the islands were made, and some of the items they make to sell to tourists. They primarily trade with the mainland for fish they catch, plus handicrafts such as above, to obtain the staples they need, like flour and sugar.

Each island is approximately 50′ X 50′ in size, and is typically occupied by three families. Long straight tree trunks, obtained from the mainland, are driven through the rafts down into the lake bed. As the President said, while describing this to us, “If we did not do that, we would end up in Bolivia, where we have no treaties.”

Evelyn and Burt stood next to simple one room homes on the wobbly island (bottom-left), though opted not to add another stamp to their almost-full passports (bottom-right).

Amantani is the largest of three volcanic islands in the lake and has a population of 3600. It is one of only a few islands where you can live with a local family and see their daily activity. As we walked up from the the dock (upper-left), continuing to go up and up (and up!) for a few hundred meters, we had to stop for breath every couple minutes at this altitude (12,500′).

There was a nice marina at the dock, though most boats were pulled out of the water (center). Other than that, all the homes were built on rocky foundations. We were told that each family had been allocated small plots of land where they grew hardy versions of potatoes, carrots, herbs and other vegetables.

We did a homestay on Amantani island, staying overnight with a local family (lower-right) who cooked our meals and provided a very basic room for us to stay in. The wife wove various textiles and hats (upper-right) to sell to tourists and the mainland. The family we stayed with also raised guinea pigs (center), and many had small herds of sheep (lower-left). The only transportation on the island was motorbikes (center-bottom) or walking. Our host bundled up all of Burt’s luggage and camera (weighing roughly 130 pounds) into a rug, hefted it to his back, and literally ran up the hill all the way to his home (our stay for the night).

His wife gave us a demo on weaving techniques taught by her mother (upper-right), and Evelyn bought a new alpaca hat. Even with 4 layers of heavy blankets, we were still cold. We had hoped for sunnier days to capture the rich deep blue waters of the lake, but it remained cloudy for our short stay.

Peru – Arequipa

We have visited Peru on four occasions in the past, but never made it to Arequipa, Colca Canyon nor Lake Titicaca, so we decided to make that a destination this time. On our drive from Arequipa (a UNESCO heritage site dubbed the White City), we saw this flying saucer shaped cloud hovering near the Misti volcano mountain top — a 19 second time-lapse is viewable below.

One of our first stops in Arequipa was to see Santa Catalina Convent, built in the 16th century. Almost all openings, both between buildings and inside rooms were arched-shaped, to help the building withstand the frequent earthquakes in this region.The largest earthquake with a magnitude of 8.4 happened in June, 2001. Only the vertical arches were able to survive the quake. Many buildings were rebuilt with brick instead of the white volcanic stone called sillar after that shake. Laundry was done by the nuns in a series of tubs with running water from the river diverted (bottom-center). The walls of the buildings are color-coded, with red indicating where nun novitiates could enter (upper-left and lower-right), while blue indicate indicate where only fully ordained nuns are allowed (upper-right).

Every December, children of eligible age receive First Communion at their local Catholic Church. Since that was not allowed in 2020 nor 2021, due to the COVID pandemic, this was the first such celebration in three years. There were many children, dressed in their Sunday Best, getting professional photo sessions (bottom-left).

There was a massive amount of art in the convent, with most of it intended to help educate the novice nuns. There was a series of at least 54 scenes from the bible along the upper walls of several novitiate halls (center), which were a primary teaching tool. Most of the statues were of the expected Jesus and crucifixion variety. The paintings were very well displayed, with lighting that emphasized the intended Holy nature (bottom-center and bottom-right). We never did get a very good explanation of why a few pieces looked very similar to Russian Orthodox icons (bottom-left).

Although no photos were permitted at the Andean Sanctuary Museum, this is a place worth a visit. We got to meet Juanita, the famous 14-year old ice mummy, face-to-face. There was an Incan sacrificial ritual where young children were buried in the ice on top of mountain tops. This girl was found newly exposed in a deep snow bank high on the mountain by archeologists searching for evidence of an important religious site in the area. Climate warming was melting the deep snow pack for the first time in several centuries, and the scientists were lucky enough to discover the naturally mummified girl only a few days after the melt exposed her. When looking on her body (which, again, we were not allowed to photograph), it was obvious which part of her face had been exposed to the atmosphere prior to being discovered, as that portion was badly disfigured from rapid decomposition.

Burt is not usually very interested in visiting museums and old churches. Our guide, July Roman (pronounced “Jul-ee”), was one of the best we have ever had in our travels though. She provided a captivating description, and when Burt questioned her on some aspect, the two of them quickly got into lengthy and engrossing discussions.

We then had a long drive to Lake Titicaca, which was our next target destination, by traveling through Colca Canyon, famed for being deeper than the Grand Canyon.

Along the way, we saw hundreds of llamas, vicuna, alpaca, sheep, and various birds, including a condor. At one rest stop, a woman presented two decorated llamas, and Evelyn took the photo opportunity (upper-right).

The road was mostly long and straight (bottom-left). At one rest stop, we could see a storm coming (upper-left). As Burt was taking a time-lapse of the storm, a massive cloud bank could be seen moving across the landscape (upper-right). At one point, someone had placed a whimsical witch to overlook the road (lower-left). As we approached Chivay, we took a photograph of the city surrounded by the Andes mountains (lower-right).

We entered Chivay for a lunch stop, and were pleasantly surprised to find a parade in progress. The town was celebrating the festival of the Immaculate Conception on December 8th. The band circled the main square several times (top row), with women in flowing traditional costumes twirling to the music (center and bottom row)

All the women were dressed in their finest traditional costumes for the festival, even if they were not part of the parade. The men were more of a mixed bag, with some more dressed-down for the occasion (center).

All the children were also dressed up, even if they were too young to know what was going on (upper-left and center).

Throughout the town were a series of statues (both in Chivay and other small villages in the region). We were told that they are intended to show the festivities to those outlying communities that may have not been able to travel to the town for the festival.

Our highest pass was at 16,100 feet (upper-left and lower-right)! We spent two hours at this elevation with no noticeable altitude symptoms. A gift shop and rest stop near the top had several animal themed fur hats — it was COLD at that altitude! We all tried them on of course, though we did not buy any. Evelyn is seen upper-right, Burt middle-left, and both of them center. Our guide that made the trip so enjoyable, July, is seen also trying one on middle-right.

Bottom-left is a bit of a Droste effect. Burt often stopped to take time-lapse of the storms in the mountains, and can be seen here using an iPhone to show the Sony camera shooting the mountainscape. Evelyn then caught those two, making the picture-in-picture-in-picture effect…

You can watch 85 seconds of the parade here, to get a more concrete sense of what it felt like being there.

50th Anniversary in Lima!

Burt and Evelyn Johnson were married on December 16, 1972 on skis at Kirkwood Meadows, California, 50 years ago

We reached our golden 50th wedding anniversary–a milestone we never thought we would achieve! Rather than celebrate it with friends in a local restaurant, we decided that this landmark deserved something a bit bigger. We decided to celebrate in Lima, Peru — a city known as the Culinary Capital of South America and one of the foodie paradises in the world. Not just that, but we chose Central Restaurant, which is ranked as the #1 Restaurant in all of South America. We invited several close friends to join us, and eight of them made the trek here to enjoy the most unique dinner you can imagine with us. Several other friends plan to celebrate with us when we return to Cuenca.

Above are some of the friends that made the effort to celebrate our special meal with us. Included are Alla and Michael, Rick and Lin, Kris and Peter, Lorena, Janda, Evelyn and Burt.

This was truly a unique meal in every regard. It consisted of 12 courses, with South American wine pairing for each course. A wine steward would present each wine, and tell us a bit about it (upper-left). Each course had its own utensils, and each was carefully crafted and presented for us (upper-right). A server would present each course and tell us about each one, including where it came from and what to expect (middle-left). For example, the piranha in the middle image were the basis for a course all originating in the Amazon rivers at 190 meters (about 600 feet) above sea level. At the end of the meal, a special dessert was served in honor of our anniversary, shown in the lower-right.

The orientation of the menu was by elevation above sea level, all within Peru. Each course consisted entirely of ingredients that grew natively at a specific altitude above sea level.

Alla Parsons is a painting buddy of Evelyn’s and created the above caricature of us, which was presented when we were back at the AirBnb that we all shared for the week.

Lorena Duca wrote a limerick for our anniversary, as seen above, also presented that evening. The text is below:

There once was a young man named Burt
With a cute little co'ed he'd flirt
From my Cessna I can offer you the stars above
A life full of adventure and my undying LOVE
So five decades later we're gathered today
In a city, in a country far, far away.
We are witness to their undying passion adventure
and travel and the latest cuisine in fashion.
So we thank you Evelyn,
We thank you Burt
for accepting the offer of
that tireless flirt.

Happy 50th Anniversary!

After toasting with sufficient champaign, Lin Berke read the fantastic poem she wrote for us too. You can watch her read it to our group above, while following along with the text below:

Encomuim Hail all Seraphim and Cherubim
Join in this brief encomium: 
Shout joy to our friends, Burt and Evelyn’s 
Fifty years of Love continuum.
 
They’ve managed half a century
To employ a workable strategy
Of work, art, friendship and some frivolity.
We raise a glass in solidarity:
They’ve reached their golden anniversary.
 
They kindly host us for festivities,
Conjoint and separate activities,
Encouraging our own proclivities 
For adventure, art, joy and civilities.
 
Marriage, open or traditional
Needs more than spice to keep it flavorful:
A partner steady and compatible,
Neither singular, nor conditional;
An effort that must be collateral.
 
Never dull and never drearisome,
Traveling round the earth and then some,
They strive to keep it all adventuresome, 
This footloose, intrepid, happy twosome.
 
Young couples think it a simplicity
To maintain strength and synchronicity.
Not so! It’s forbearance and complicity.
They’re the champs of indefatigability,
And we praise their laudable felicity.
 
Three cheers!  Hail to Burt and Evelyn,
And raise your glass to heaven: While
Your Golden’s deserving of satisfaction,
We pray you celebrate your Platinum.

While traveling in Bali this past summer, we found this statue in a woodwork gallery, and both fell in love with it. We bought out the entire shop supply, and gave one to each of our guests, as a memento of our time together this year.

We want to thank all those who came down to Lima, Peru to share our 50th anniversary, and all the people along the years who have helped us in both big and little ways, to reach this point in our lives.

Los Toldos and beyond, Argentina

The church above is “The Monasterio Agustino de Santa Maria” founded by Swiss monks in 1948.

Enroute to Los Toldos, the home of JT and Betty, as well as the birthplace of Eva Perón, we made a number of stops along the 6-hour drive(180 miles) to explore local towns, tourist attractions, food and ice cream stops as well as gas stops. Almost every city has a town square serving as a social and commercial meeting place in the middle, the church on one end, and retail surrounding the perimeter. Above is just one of the many churches we saw.

Our first stop enroute was to the Buenos Aires Japanese Garden. It was well maintained and peaceful, not too big and not too small, tucked in the middle of high rises, as seen in the center image. Here’s the four of us (Burt, Evelyn, Betty, JT) photo bottom-right with Betty and JT both wearing their #10 Messi Argentine football team shirts. Yes, we got to hear or watch every World Cup game played by Ecuador and Argentina. Notably, there was no car traffic on the days the teams played. As if prescient of Argentina’s World Cup win, JT and Betty bought an Argentine t-shirt for us to be delivered to JT’s young 7-month old niece in Cuenca.

One of our next stops was to an all-you-can-eat BBQ. Every kind of meat you can think of was available in huge quantities. While we were eating, everyone was watching the World Cup match between Argentina and Australia (right-center), which Argentina won, resulting in celebrations all around ! Because of the World Cup playing, most of the expected musicians did not show up, but one guitarist with a pleasant voice did (left-center).

One thing we found curious was that our car was a hybrid LPG and gas, which the locals refer to as gas and gasoline. The LPG (liquid propane) tank was pretty small with a range of 100-130 km, and we had to fill it up every two hours of driving (left-bottom). Simultaneously, there was a regular gasoline tank in these hybrid models that also took half the trunk space. When we asked why they did not just use the gasoline and have fewer stops, we were told that gas (ie LPG) was about 1/4 the cost of gasoline. Of course, every time the tank was being filled with LPG, all passengers were required to evacuate the car in the event the tank blew up, which did not leave us feeling overly safe. In addition, not all fuel stations had LPG, so sometimes we would go out of the way to find a filling station.

Our group photo (right-bottom) included our driver, Emilio, on the left, between JT and Betty.

The next day we went to an estancia, or “dude ranch.” We had a choice between riding horses or a carriage ride, and close the latter (upper-right) with a very bored carriage driver (middle-top). Betty loved the horses though, and kissed one (right-bottom). Food was again all-you-can-eat, served by waiters dressed in traditional gaucho outfits (center-bottom). Argentina is known for their meats, and this did not disappoint.

Another highlight was a visit to the museum for Eva Perón, located at the humble home where she grew up. It included a stage where Eva first performed, but mostly displayed various murals, photos, film posters and paintings of Eva.

On our drive home one afternoon, we stopped by a small town of Zavalía, which was having a local block party celebration. It was their 115th year anniversary. Pretty much the whole town turned out for the event, which ran past sunset (left-bottom) to enjoy the party together. There were several local musicians, including several children dancing. Evelyn bought a new gaucho hat from a vendor (right-bottom).

Buenos Aires 2022 Tango

We are off on another multi-month, multi-country adventure. We started this trip by visiting two friends, JT and Betty, who moved from Cuenca, Ecuador earlier this year. We met them in Buenos Aires, and spent a couple nights in this cosmopolitan city of 15 million, before driving the 6 hours to their home in Los Toldos for the remainder of the week. While in Buenos Aires, we went to two tango dinner-and-dance shows. Both were eloquent, though quite different.

Above is one image of a couple displaying their professional tango moves, with the 7-piece orchestra behind them.

Tango is what many people think of first when they hear Buenos Aires. This city, like Manhattan, is considered a city that never sleeps, and you can party every night. The Argentine Tango originated in the streets of Buenos Aires, Argentina and the roots of this dance lie in African candombe, Cuban habanera as well as waltzes and polkas.

Above watch 40 seconds of the Tango orchestra opening our show.

La Ventana was the first tango show we went to. La Ventana is more than just tango, providing a well-rounded display of Argentine music and dance from all over the country. It included chamame, chacarera, and zamba-style folkloric dancing. There were also several singers (top row) with operatic vocals, Andean flute music (bottom-left), and one man who played a crazy percussion (bottom-middle) using gaucho bolas as a musical instrument instead of as a weapon (bottom-right).

Here you can watch 80 seconds as this performer brushes his bolos into his hair, and then proceeds to dance with them.

But of course, tango took the prime spotlight, and these dancers were extremely talented and enjoyable to watch. The basic steps of tango consists of three forward walks, followed by a side step and lastly a drag step. These dancers elevate the basic steps to a new level, with throws, tosses, and extensions that make this dance forms one of the sexiest in the world.

Watch 95 seconds as one of the couples danced across the stage.

Our second night brought us to another tango show, El Querandi, located in a historic building in San Telmo, a few blocks away. El Querandi is a smaller, more intimate venue, and started out with a history of tango. It is estimated that 145,000 people dance the tango in Buenos Aires. Though I have found no reliable estimate of how many of those dance professionally, you could easily attend a new tango show on stage, or on the street every night of the year.

As with the first show, the dancers here were also highly professional and talented, and a joy to watch.

Finally, watch 100 seconds of a tango couple from this El Querandi performance above. (Note: On some browsers, this is showing as not available. I have no idea why, but you can click the link and watch it directly on YouTube…?)

Lunar Eclipse Honolulu 2022

There was a total Lunar Eclipse here in Honolulu starting Monday night, November 7th-8th. At totality, it transforms into the Blood Moon, a reddish-orange color cast from the light of sunrises and sunsets, seen at the top of the above composite.  A lunar eclipse happens when the sun, Earth and moon align, and will be the last totality seen in North America for 3 years until March 2025.

I stayed up from 10PM until 3:30AM shooting 82 sequences (5 exposures at each point, since the light was changing so fast) over that period. Technically, the eclipse was to end at 3:49AM, but the clouds covered the moon and it started raining at 3:30AM, so I went in.

I was able to capture the first few images out of my condo window in Honolulu. The moon then went overhead and slightly out of view, so I moved to the driveway across the street for the remainder of the session. Winds were fierce, and drizzle came and went, so I had to time each photo when the wind gusts had died down and clean the lens between each spout of rain. Overall, I was reasonably happy with the result though.

This is the last lunar eclipse until March 2025, so I consider myself lucky to have mostly clear skies to work with. Here is a photo of the full Blood Moon during totality. The color is due to the reflected light from earth, since at this point it gets no direct light from the sun.

Star Gazing in Honolulu

Only two days after the full moon, I got this photograph with my iPhone 14Pro and 12″ telescope tonight. Read below to see how…

I attended an interesting Star Gazing event with Star Gazers of Hawaii, which is a local small business owned by a private citizen (Nick Bradley) with a telescope. Twice a month Nick takes to the rooftop of the International Marketplace in Waikiki and shows guests the stars and the moon through his portable 12″ telescope. During the hour+ presentation, he also gives an educational talk about astronomy, and answers all questions in a very understandable manner.

The telescope he brings to these events is a 12″ reflecting telescope that is easily broken down and weighs only 60 pounds (center). At one point in his talk, he allowed his guests to look down the center (lower-right), where we saw the reflector at the bottom, a small redirecting mirror at the top… and nothing else. No electronics at all. Nick knows his way around the sky so well that he could switch from one constellation to another celestial body in a matter of a few seconds, all by his own skill and with no electronic aids. Even in the heart of Honolulu, you can clearly see the stars and planets from the rooftops. Our first target of the night was Saturn and its rings, and the last was the moon, with several interesting stars in between.

There were roughly 20 people in the group tonight, including one family with two small children (upper-right), one of whom got very excited to see his first view of Saturn and its rings!

At the end of the session, Nick sat by the eyepiece and let us each pass him our phones, for him to take the image of the moon in the opening image above.

ShakaCon Backstage

We were asked to photograph another charity photo event last Wednesday night at the Polynesian Cultural Center. There were five different categories we were asked to document. This was the second event we helped on the Shaka Project, which is making a documentary on the origin and history of the shaka, a Hawaiian gesture of friendship. Here’s a link to the documentary: Shaka, a Power of Aloha, which is expected to come out next year.

We worked for food. In exchange for our photographs, we were invited to a luau, a traditional Hawaiian feast celebrating a major milestone on the film. We started with a piña colada, a buffet, local entertainment, and the world’s first Shaka Contest, with 10 styles of Shaka. The special entertainment was intended to be included in the final documentary.

The guests all arrived walking down a Yellow Carpet, before being signed into this private event. We positioned ourselves along that carpet for awhile, and got images of people as they came in. As you can tell from the umbrellas, it was raining at the time, though not very heavily.

Evelyn and I then went backstage and photographed people working behind-the-scenes. Some were the professional video company that is sponsoring the movie (all except top-right and bottom-right). Some were of other photographers from our EOH (Eyes of Hawaii) club (upper-right), entertainers or contestants of the Shaka contest, waiting their turn on stage (lower-right)

Of course a central theme of any luau is the food, and there was plenty to keep everyone happy. We started out with non-alcoholic Piña Colada drinks (which were delicious, and we had refills simply by raising our hand with the Shaka gesture !). You can see the staff filling the pineapples (upper-right) and wheeling them out to the guests (middle-right). Everyone seemed to enjoy the drink (middle-left).

Any luau must have a pig, and we had two (middle). We then had a buffet bar, where we could choose as much as wanted of a wide variety of culinary treats (upper-left). There were also stations to deliver the pig and fish (lower-right). Twice during the night, the power went out (lower-left) as the extra load of the professional video lights overwhelmed the circuit breakers.

The music and dance of this luau was unlike most such Hawaiian luaus, due to the intent of using the performances for the movie. There were five young girls who danced hula and other dances (top), and Henry Kapono, a famous local Hawaiian musician providing much of the music (center-right and bottom). One of the times the power went out, the hulu young girls were teaching audience members how to hula. After no more than a moment’s surprise, they continued with their lessons by the light of audience phones (center-left).

The bulk of the time was spent on the world’s first shaka contest. Before we go on… what is a shaka? There are several ‘origin’ stories, but the most widely believed is that there was sugar cane worker who used to wave at tourists as they passed by. In an industrial accident, he lost his middle three fingers. That never stopped him though. He continued to work the sugar cane, and continued to wave at people driving by. However, now he only had his thumb and little finger, with the other fingers missing. Now, giving a “shaka” means waving with the three middle fingers retracted, showing only the thumb and little finger, as a way of saying “hello,” or “welcome,” or “thanks” in Hawaiian fashion.

The second half of the Shakacon show was a competition. They created 10 styles of shakas — all made up for the movie — and had 6 people compete for the best shaka in each category. These categories included Train Jumper (upper-right), Right on the Kini Popo (top-middle), Buddha (middle and lower-left), Hang Loose (lower-right – unique toe shaka! ), beauty pageant (lower-middle).

Everyone was encouraged to give shakas during the night, and we caught as many of those as possible. We also caught a few special images, such as the contestants taking a selfie of themselves on stage (middle-right). One of the contests in the Military Shaka was a man who had lost both of his arms from an IED (upper-right). Though he could not give a traditional shaka, he received a standing ovation and was awarded the top prize for the military category.

As we left the event and headed for home, we saw the statue outside the Polynesian Cultural Center, where this was held. It seemed fitting to include (lower-right).

Honolulu Pride Parade 2022

Last Saturday was the annual Pride Parade in Honolulu celebrating the diversity of the LGBTQ+ community. There has been no parade since 2019, due to COVID, but has otherwise been annual since 1974. The parade went along Ala Moana Boulevard then along Kalakaua Avenue fronting the beach, from Magic Island to the zoo, and took about two hours to pass. I was asked by the organizers to provide a few photos, and here are some of those, as well as a time lapse at the end.

Besides those walking, there were several with various means of transportation. The parade started off with a group on motorcycles (top row). Some drove tiny electric tourists cars (middle), with a few bicycles thrown in (bottom-left). Open top cars mostly carried celebrities (bottom-right).

There were dozens of groups marching together, including one group from the Honolulu mayor’s office (center). Airlines had their groups (top-right and bottom-right). Disney (bottom-center). Chamber of Commerce (top-center). Even a Kickball group, that I didn’t know existed until the parade! (bottom-left)

There were several floats also. Some were street “cable cars,” such as the Methodist Church group (top-right). Most of the others were either entertainers (bottom-center and bottom-right) or apparently random groups of mostly young people.

At any parade, the audience is really part of the show. The streets were lined with people (top row), and many hotel balconies also had people (center-right). I only saw two dogs, but one came over to be petted by anyone willing to reach out (center-left).

Photographs give a flavor of any parade, but video often gives a better impression of what it felt like. Above is a 30 second time-lapse from my drone. One thing that is universal in Honolulu is the trade winds — you can really see the trees blowing in this video.

Chinatown Art Festival

Artists shown above: Evelyn Johnson, Alla Parsons, Marina Borovok, Inessa, Frances Wong, Lisa Jaworski, Dennis Daniel

The Plein Air Painters of Oahu (PAPO), led by Mark Brown, was invited to showcase their plein air paintings at a Chinatown street fair yesterday. Approximately 20 painters from our group participated in the fair.

The organizer was DAC (Downtown Art Center, in the Chinatown Arts District in Honolulu). The show was called “The HEART of Honolulu” (above), where HEART stands for Heritage, Entertainment, Arts & Culture, Restaurants, Theater & Performing Arts.

Bob Dusendschon’s booth (top middle, Jay, Mark Brown, Lisa, Jack and Donna Sommers moving the grids; Joanie Stolz oversight

The setup was quite a challenge. The group was allowed 1 hour to set up from 9:30-10:30 with the event opening at 11:00 AM, and then closing at 5:00. Mark had rented a tent for our 10′ X 20′ booth, which was scheduled to arrive at 8:30. At 10:00, Mark called to ask where it was. The tent was finally delivered in pieces at 1:30. The rental staff was supposed to assemble the tent (upper-left), but they were clueless, and finally gave up and went home with their unassembled tent at 2:30.

Fortunately, the team of artists set up the grids (center), once it became clear the tent might not arrive. Mark Brown spent the prior night creating and painting black stands for the grids (bottom-center), as there was no way to pound stakes into the pavement to stabilize the grids.

In the end, it was a very successful show, with many paintings shown and sold. The lack of a tent did not deter the audience, while the painters took turns between the shade and in the open display. Thank you Mark for getting plein air painting introduced to the community.

Also, throughout the day, there were many music and theater groups performing in front of Mark’s Garage, including a hula dancer (bottom-right), and a group performing Wizard of Oz songs from their play.

Dwayne Adams teaching watercolor (top left)

As part of the program, there were many tents set up for instructing kids and adults on using various types of art mediums. These ranged from watercolor, pastels, and acrylics painting (top row), as well as making paper mache dragons (bottom-center), and even weaving (bottom-right). It was obvious throughout the day how involved and fascinated many of the audience was in these mini-workshops.

The highlight of the show was Sergio Garzon’s PRINT BIG. This is a huge block printing process called Steamroller Printmaking, which includes using a type of heavy construction equipment, such as a steam roller (upper-right — typically used in construction for leveling asphalt roads), to transfer the image with black printer’s ink from plywood plates (above) onto a large piece of heavy cloth or canvas.

Sergio starts with a design, which is then cut into sheets of plywood with a router. The huge plywood pieces are cut into a puzzle to be assembled on-site, with the curves helping to set up each segment correctly. Those plywood puzzle pieces then have black printer’s ink rolled onto them, with the help of his 15 volunteers from Punahau and the Big Island, who were willing to get their clothes messed with ink.

Most ambitious artists make prints no larger 4′ x 8′, but Sergio goes much further, making prints that were at least 4 times that size, at approximately 12′ x 32′. Once on site, such as at this art fair, it requires several hours to prepare the ink (upper-left and center-left), and then transfer the ink to the wood plates (prior block). After a cloth sheet is laid over the inked plywood plates, a steamroller (lower-right) is used to transfer the ink from the plywood to the final surface. After the image is revealed, it is finished by hand with ink rubbing using wooden burnishers (center-right), and finally touched up with a black marker pen by Sergio, the master print making artist (bottom-left).

Watch the 75-second video above for a time-lapse of the process of putting the plywood plates in place, and then running the steamroller to create the final image.

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